I read an interesting article by Frank Santoro on tcj.com, where he suggests that the bottom has fallen out of the back-issue market because everything gets reprinted nowadays, and you can ust hunt for back issues on the internet rather than having to do the legwork.
"We talked about how it’s crazy that there is this generation of comics collectors that basically all have the same collection. Exactly the same. Like the one we just saw. And how it’s (basically) worthless. And how those collections were worth real money even ten years ago."
It's probably not news to any of us. If you were present at the 'On The Ration' panel at Caption a few years ago, we probably mentioned it there. But twenty years ago if you wanted a particular back issue, you had to hunt around for it at your local stores or your local mart. Now, it's generally just a google away. I saw a comic the other week at my local store, and mentioned that I probably had that issue still. He told me it sells for £12, and my reaction was, and still is, one of incredulity.
But anyway, here's where I'm going. Old comics are cheap now, whether it be collections or individual issues, but for the committed bargain-hunter, which of the two do you feel is the best option?
Monday, 26 August 2013
Sunday, 25 August 2013
One of the glaring absences from my comics knowledge has been the EC comics of the fifties. Any comics fan worth their salt knows about them and how their envelope-pushing material was at least partly responsible for the establishment of the Comics Code.
But I've never really found a way in - there have been reprints but, whenever I've looked, they've all been expensive and far too comprehensive. I don't need to read it all - I just need the good stuff.
Since last year, Fantagraphics have been reprinting the pick of the archive in a more accessible fashion. With it's nascent 'EC Comics Library' they've been publishing attractive hardback collections, themed by artist. So far, there are four books, collecting work by Harvey Kurtzman, Wallace Wood, Jack Davis and Al Williamson, with more to follow. The book above collects Harvey Kurtzman's war comics from the fifties.
Here's another glaring absence. I've never really read war comics. Sure, I read Battle as a kid, and the occasional issue of Commando, but I couldn't claim to have a knowledge of the genre. So, when the introduction claims that Kurtzman's stories are different because they treat the combatants on both side of the conflict as human, I guess I have to accept the point.
These stories are outstanding. Time and again, he illustrates the futility of war, whilst treating the North Koreans as just the same as the brave Americans. Most of the war comics that I read as a kid had very strict dividing lines. Our guys = good. Germans = bad. Even with the benefit of hindsight, these stories, 60 years old seem extraordinary.
There is an economy to his art - his pen is vivid and animated, giving the stories an expressionistic feel, even whilst the stories are grim and depressing. The second half of the book sees him paired with the likes of Wood and Alex Toth, and whilst these stories are still enjoyable, it's the first half of the book that I'll be going back to. I'm a little embarrassed it's taken me so long to get to these stories, and if the rest of the 'EC Comics Library' comes anywhere near this quality, I'm in for the long haul.
Cost : Cover price for each of these books is $28.99. However, they have a thing called the 20/20 club whereby you sign up for $20 and then take 20% off any order that you make. They also had a package deal of this book and the Wallace Wood one for about $40, which after the 20% came down to $32. However, earlier this year they also had a thing called Fantabucks where you could buy an $80 gift voucher for $40. I bought a few of these, intending to use them for future Pogo volumes or for some of these EC books. Which means that, including postage, this book cost me around $19, or just over £12. That's probably the best value purchase of my life in comics.